Television


I stumbled onto the series Hannibal — based on the characters of Red Dragon by Thomas Harris — on the NBC app on my iPad a few weeks ago, and as of last night, finished the first season. Right to the point: I was surprised, especially as I had thought the idea of another series killer catching killers -type show was unnecessary, at how good it was.

The great: Mad Mikkelsen is superb in the role. He’s far better than Anthomy Hopkins was; there’s none of the sloberng, creepy pervert quality that dominated his Lector in Silence of the Lambs. He’s better than Brian Cox, who was very good in the role in the original Manhunter. This Lector is precisely what I see when I read the book years ago: erudite, pleasant, an aesthete who protects himself from the world around him through a wall of beauty. Even his killings are directed at creating beauteous meals. He comes off as sympathetic, caring, and if very restrained. Until you see him in action. Mikkelsen plays him extremely low key, almost mask-like. Almost everything is done through the use of microexpressions.

The look and sound of the show is much more tight and atmospheric than is usual for broadcast television (this is airing on NBC!?!) Ambient noises are used in lieu of music in many scenes to create tension. They’ve also cut the number of episodes from the ludicrous 22/season of usual broadcast TV to the more reasonable 13 of an extended series on British television, or American cable shows like those on F/X. There’s almost no chaff in the wheat.

The good: The rest of the cast is solid, with Hugh Dancy doing a very nice rendition of Will Graham. His version is much more unstable and twitchy than the previous portrayals. Rather than just having the ability to empathize with the people he’s hunting, his imagination and empathy are so overpowering, that they make the character increasingly unstable. That and a healthy dose of encephalitis he has contracted sometime in the show. An honorable mentions to Raul Esparza as Dr. Chilton. He manages to capture all of the sleazy ick-factor Anthony Heald brought to the man in the movies, but he does much better at giving us the defensive, not so smart as he thinks quality. It’s a great performance. Another for Scott Thompson from Kids in the Hall fame. I haven’t seen him in much since his early comedic work, but he’s good as the acerbic pathologist.

And then there’s Freddie Lounds. The annoying reporter who I think was perfectly played by Phillip Seymour Hoffman, is replaced with redheaded and very fetching Canadian actress Lara Jean Chorostecki. To be fair — she’s great in the role, and the character is supremely manipulative, smart, and a great foil. But I hate that this character hasn’t been brutally murdered…which is a testament to Chorostecki’s acting that I want her character dead so much.

The bad: The weak link is Lawrence Fishburn’s Jack Crawford, who is presented with much less humanity than he has had in previous iterations. This has been a trend I’ve noticed in the actor’s work toward…well, gigantic douchebags that present their authority by being manipulative, aggressive, and unsympathetic. As the character that is the stand-in for moral authority, he’s badly outgunned by Mikkelsen’s amoral intellectual for your affections. (But his real life wife, Gina Torres (Zoe from Firefly), makes a great couple of cameos as his wife, dying of cancer. It’s the only time the character is sympathetic at all.)

The (possibly) bad: For some, the level of graphic violence might be a touch much…especially on network TV. Often you see the gory aftermath, occasionally relived through Graham’s reconstructions of the crime scenes. It’s necessary to the plots and to the nature of the material, but I found some of the scenes very intense, and I’m usually pretty tough on seeing stuff like this.

The rest: The show wanders off of the history established in Red Dragon (the only book Will Graham specifically shows up in.) The basics are there on his character, but some of the things he does in the book are transposed onto other characters. Another agent realizes Hannibal is the Chesapeake Ripper when she sees the drawing that tips Graham off in the book (and is killed.) The Minnesota Shrike is happening concurrently with the Ripper murders. Hannibal becomes an unofficial psychiatrist to Graham because Crawford wants to keep the increasingly unstable agent in the field. I won’t spoil the season end, but it takes us way off the path of the book and gives the show its own mythos and the freedom to pursue it.

Style: 5 out of 5. Substance: 5 out of 5. It’s a definite “buy” if you like the character of Lector, or this sort of suspense/horror/drama.

Here’s the complete closing credits theme from F/X’s Archer:

Here’s hoping the new ship meshes hit the web soon.

Here’s parts one and two of the “web series”/pilot/whateverthehell it is. Points I particularly liked: The layout of the hanger bay is a bi more functional than the static set was, and I loved that there is a kind of high-speed tram to get around a vessel that’s a mile long. CIC looks good, despite being mostly a virtual set, something they’re disguising with lens flare and high contrast for the background.

Part 2:

 

Apparently, Universal finally got off their butts and are releasing Battlestar Galactica: Blood & Chrome first online this Friday in installments, then on SciFi (I refuse to call it SyFy) and then on DVD.

I’ve been watching this since the premiere and have enjoyed it throughout, but figured I would give it a bit of time before I commented on it. First of — the series involves the creation of the Union Pacific’s transcontinental railroad and the Credit Mobiliere scandal (although that has yet to become a major feature.) The history is solid, if dramatized, of course; the production values are high and improved by shooting the series in the Midwest of Canada to get the right look. Casting is solid and the acting is as well.

Central is an ex-Cnfederate out to find his wife’s rapist/killers from the Union army, Cullen Bohanan (Anson Mount looking very dirty and dishelved…perfect for the character),  who finds himself on the railroad hunting his quarry. He ends up as one of the rail foremans, which keeps him in the picture. The other lead is Thomas “Doc” Durant — the corrupt bugger that built the railroad and had been a smuggler during the Civil War, running cotton out of Mississippi (although he was a northerner.) He’s played well by Colm Meaney, who still can’t quite shed that Irish brogue. Durant is fighting to keep the money flowing from the Federal government and find a route through the Rockies (this is where the female lead, Irish actress Dominique McElligott comes in — her husand was his surveyor who is killed brutally in the first episode.) There’s a freed slave that become the counterpoint to Bohanan, Elam Ferguson (Common — doing an excellent job.) And there’s the agent provocateur, ‘The Swede” (played by Christopher Heyerdahl — familiar to any SciFi Channel viewer. [And no, I will not call it SyFy.]) who is the black hat for this first season. Tom Noonan, perrenial bad guy, played an alcoholic/wife beating priest who left his family to bring light to the Indians; I keep waiting for him to go crazified and evil, but it hasn’t happened yet.

The first episode had the usual “first episode blues” — a bit shaky and unsure of itself, but by the second episode, it was…on track? AMC has picked the series up for a second season, and we history buffs are better for it.

For the RPG readers, the series gives a good grounding for the sorts of adventures and conflicts one sees in the Reconstruction — good for the Western or Victorian/steampunk campaign.

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