12670087_10153963273907082_3286283278008602244_nI’ve already done a review of the PDF version of the game, but I’ve finally laid hands on a physical copy of the game. This was a game that loomed large in my gaming through the 1990s, and informed some of the Victorian sci-fi camapigns of the early 2000s. I still have the original copy of the GDW game, bought at Compleat Strategist in Philadelphia in 1989. Now I have the new Ubiquity-powered game from Clockwork Publishing out of Germany to complement it.

First off, this is the “premium” faux leather covered version of the book. They go for about $100. Production quality on the book is good — the fake leather feels nice and the gold embossing is well done. The binding is solid, and includes a bookmark ribbon in bronze. Good glossy paper, with a readable font in two columns per page, with black & white, grayscale, and color art throughout the book. One point of contention is the sizing. Rather than a typical 8.5×11 or 11.25″ book, like many game lines, this one is 8.5×12″, so it sits higher in the bookcase. The different aspect ratio looks nice, but might be a pain if you don’t have spacious bookshelves.

The new edition is very true to the original setting, but expands a bit on the original material of the game, mostly in dealing with Venus and the German colonies there, but also adds a bit on Mars and Mercury. Setting takes up much of the page count at 121 pages. The game rules are Ubiquity — the same system that powers Hollow Earth Expedition, the ’30s pulp game that usurped Victorian sci-fi in my group’s play rotation. There’s not much new to the rules beyond those found in HEX, same for bits on gravity on different worlds, and comes in at 80ish pages with character creation. One point where the new rules dropped the ball was on the Martian and Venusian characters…there’s no racial templates to give them their own flavor, so I cobbled some together based on the rules from Mysteries of the Hollow Earth and Secrets of the Surface World sourcebooks from the Hollow Earth Expedition line. They are presented below.

Style: The original game was pretty sharp for it’s time, with good color art and crappy line art for the rest; the new version is average RPG quality art for the black and white art, decent color. I’d go 3-3 1/2 out of 5 for the normal edition of the game, but the faux leather brings this edition up to a 4 out of 5.

Substance: Unless you plan on really digging into political intrigue and the like, the book is good enough to launch into a campaign that night, and the rules are complete enough to handle most situations — 4 out of 5. Is it worth the $56US for the print and pdf combo? If you are into this genre, yes; if you are an old Space:1889 fan that wants a better set of mechanics than the execrable ones from 1989, absolutely; and this edition with the swanky cover might be worth the $100 for the fans of the old game.

Space: 1889 is now available through the shop at Mödiphius.

Here’s the templates for the main alien races of the setting:

MARTIANS

Hill, Canal, and High Martians -- as portrayed in Chronicle City's version

Hill, Canal, and High Martians — as portrayed in Chronicle City’s version

The denizens of Mars have three major racial types — the Hill Marian, found in the desolate wastes of the Red Planet; the Canal Martians, found almost exclusively in the urban and canal-fed areas of the world; and the High Martians — thought to either be the “Ur” Martian, or possibly a Hill Martians evolved to the particular environment of mountainous Mars.

Using some of the Beastmen advantages from Mysteries of the Hollow Earth (pg. 14-25), I slapped together Martian character templates that were more in keeping with the original flavor of the game:

template

Venusians

Venusians aren’t set up as a player character in either any of the editions of Space: 1889, but I’m sure there are folks out there that might want to give them more to do in their campaign than be a poor man’s Sleestak. So here is a Template, vikked from Hollow Earth Expedition‘s Mysteries of the Hollow Earth to use to create a player character Venusian:

venusian

 

 

Some game reviews coming soon:

Space:1889 by Clockwork Publishing — the physical book, this time.

Dungeons & Dragons, 5th ed. That’s right, Mr. I-Don’t-Play-Fantasy has the new game (mostly because I have a gig writing some adventure modules for it.)

Atomic Robo: Majestic 12 Sourcebook — the Evil Hat Kickstarter funded, and I’ve had a shufty at the pre-release book. As soon as it’s in my filthy furry paws, I’m reviewing it.

I had dinner last night with a gaming buddy I occasionally play with here in Albuquerque last night. We got talking about the various stuff we’ve been playing, what we’ve wanted to play, and I mentioned that the Battlestar Galactica game that’s dominated my group’s sessions for years was coming to an end. He pointed out I’ve been attempting to wrap this for a few years, and he’s right…but I just couldn’t bring myself to do it.

This past week, the rag-tag fleet reached Earth, 4 years and 9 months after the campaign first got restarted with a crappy pilot session about people going missing from a mining outpost on the Armistice Line. (I found the date on my computer’s calendar: 27 April 2011 — just ten days after my daughter was born…) There’s still a few episodes left, mind you, but the main conceit of the game — reaching Earth and (hopefully) safe harbor is the subject of next week’s session. Other than a few more loose ends to tie up, the game is over. My friend, at this point, bet me $20 I don’t finish by March. How could I resist?

But now I have a hard date for the finish of the game: February 25, 2016.

For five years, this campaign has dominated my life. Discussing it with one of the players during the ride home the other night, we were talking about the game. It is the longest continuous campaign I’ve ever run; it was the longest campaign he’s ever played in. During the course of the game, it moved from a Cold War conspiracy-style setting, to a military and post-apocalyptic setting, to an increasingly science-fiction setting mixed with Greek mythology, to a political thriller, and then hard into transhumanist science fiction. There have been players that have come and gone, but we two had been playing from the start, and three main players since the Fall of the Colonies, about three and a half years…the characters are rich, well-developed; the setting feels lived in, realistic — despite the increasing science fiction aspects; it’s been, I feel safe to say, epic.

There were a few really big risks I took. Early on, I threw out canon from the reimagined show, but kept the good stuff from the setting. The Adamas were not the focus; the player characters took the place Apollo and Starbuck and the commander.  A bigger risk was going with “the Blaze” elements that got cut from Kobol’s Last Gleaming (a mistake, in my opinion); the “angry god” that destroyed the harmony of God and Man became the main antagonist, and the humanoid Cylons became “Seraph” — his “messengers” and replacements for the Lords of Kobol, Hades’ “family” whom he missed. I brought in Athena to replace a popular NPC and though I’d really screwed the pooch doing it. After a few sessions, it was obviously better. And in the end, I think I may have run my best game in the 37(!!!) years I’ve been playing RPGs.

Better than the excellent Babylon 5 game that was the first time I tried to do a coherent, planned out story arc. Better than the surprisingly good and long-lived Star Trek game at the start of the aughties, after I moved back to Albuquerque. Better than the very good espionage and Victorian sci-fi games from the ’90s, or the uproariously fun Shanghai campaign for Hollow Earth Expedition that faded away after this gam started.e..and like a good TV series, I want to see how it ends, but I don’t want it to stop.

Now the question — the same one I’ve been trying to work my way through for about six months, once I realized how close we were to the end — is “what next?” Or maybe more appropriately, “How do I top this?” and I suspect that’s my big mistake when thinking about the next games. I didn’t set out to top myself with Galactica, I just wanted to do the best game I could for people.

I sent out an email to the group, looking to see what they wanted to play or run. The newest player likes to GM, I was hoping to coax her into the center seat, but we’ll see. The big favorite seems to be a cyberpunkish sci-fi game, Atomic Robo, and I’m thinking I’d like to take a crack at either Space:1889 or Hollow Earth Expedition‘s Revelations of Mars settings, but I think that’s it for space opera for a while.

It’s been a while since the last AAR for the Battlestar Galactica game. We had the usual holiday nonsense, some winter wonderment (snow) that buggered up attendance, and a change of venue due to my daughter’s new school schedule, and the last few sessions were “talk about our feelings” episodes mixed with the setting is being fleshed out, and ti was being chewed on by the players and their characters. It was interesting, but not enough to require their own posts. Without further ado…

Since the fight at New Ophiuchi, the fleet had been looking hard for the Seeker ship — the massive Kobolian ark they’d seen being attacked by the Cylons. Eventually, they find the ship, but not before we had one of the characters biff their navigation test for the jump into the star system they were looking in. Their heavy raider comes in too close to a ring system around a gas giant and they get hit with a chunk of ice and rock that kills the raider, rips open the hull killing one of the PCs — our equivalent of the Leoben model — from exposure to space, and leaves the two pilots desperately trying to fix the ship while running low on O2. Eventually, right as they are near suffocation, the Seeker ship’s scouts find them.

After convincing the Seraph leadership of their non-beligerance, they suggest a meeting between the Seeker ship and the fleet. This leads to a long series of meetings where the admiral and the Seraph leadership councils try to hammer out an alliance between all involved. They learn the Seeker ship has a bunch of transports — mostly running empty from feeding the almost 13,000 humans and roughly 17,000 Seraph in Seeker 13 and Resurrection 5. (10,000 of the Seraph are still “on ice”.)

One night dealt almost exclusively with the admiral finally admitting his love for Tana — the Seraph model Three commanding Unity (the former Basestar 19.) He’s managed to impregnate her, and they marry in the hopes this will draw their peoples together.

As all of this is happening, the fleet is moving steadily toward Earth, stopping periodically as they run across ancient battlefields — ships that have been dead 300, 500, even 5000 years. The two worlds the Seraph had known were settlements of the 13th Tribe, and which had been locked into the “Gene/Tech War” 500 years ago — blasted and dead. The very old ruins of ships show another major conflagration that almost predates the Lord of Kobol and their rule…how long has the Cycle been going on, and what are they going to find as they get to Earth? These mysteries are intriguing and encouraging some, but many in the fleet are rapidly losing faith in Lady Athena and the other Kobolians…what are they leading them into?

Finally, they find themselves a light year from Earth, scanning the sky for any sign of life. They find ELINT from Earth and its moon, from Mars, and from Jupiter. Someone is home. Admiral Pindarus orders the final jump of the fleet — Jump 75, serendipitously — and they arrive near Pluto and Charon, and their moons. A search of the system shows a beautiful, Caprica-like, world with a moon that is unusually symmetrical in its gravity field, a featureless orb with a high albedo, which is pumping out signals and is very hot. That’s not the most unusual thing — Mars is swarming with some kind of activity — a utility fog large enough to engulf a planet. This, the Lords of Kobol tell them, is a hekatonchires, a planet “repurposer” In orbit around Earth and in the flux tube between Io and Jupiter, there is a Ship of Lights, like the one Hades/the Blaze traveled in! These are the TITANs’ bodies.

Before they can do much else, suddenly there is a TITAN amongst the fleet! The ship systems die, there is a loud growling noise that drowns out all other sounds, and bright, white light which oversaturated everything to white.

Next week…answers?

Evil Hat — the makers of many Fate titles — has a Kickstarter campaign going to help finance their next run of product. For each $20 bid you get one of their print books of your choice.

b327486c361dcfa3cefe8a773cd5d33b_original

At least the Majestic 12 book for Atomic Robo has been funded…now if we can just get a few thousand more, they’ll been releasing the Atomic Robo version of the system to their open license.

OTs-28 Stetchkin “Silent” Revolver

tumblr_o0a6kyrPkc1uryk28o1_1280A 5-shot 7.62x43mm pistol in service with the Russian Internal Service (I guess KGB is out of style…) since 2002, the OTs-38 uses a specialized cartridge first developed in the 1970s that is it’s own sound suppressor. A special necked cartridge captures much of the gasses from firing and makes the revolver not much louder when fired than simple dry firing. Due to the lower impulse, the 7.62mm, 143 grain round is moving at only 660 feet per second and quickly loses velocity, making this a very close proximity weapon.

The revolver features several strange elements: the barrel is actually below the pivot point for a swing out cylinder, which opens to the right, and this reduces recoil to almost nothing. The rounds are rimless and held in place my “moon clips” similar to older .45ACP caliber revolvers. It features a safety catch — unusual in revolvers — allowing to be safely carried with the hammer cocked.

tumblr_o0a6kyrPkc1uryk28o4_1280

PM: +1   S/R: 2   DC: D   CLOS: 0-3   LONG: 8-15   CON: -2   JAM: 99+   DR: 0   RL: 2   COST: ~$800

GM Information: The Stetchkin makes almost no noise when fired and give a -2EF to Perception tests to locate (or even identify there is) a shooter. Armor or cover value doubles, and there is a -1 WL penalty toward vehicles or other inanimate objects.

My daughter got a little diecast of one of these, and I’d never seen one. After a bit of research, I decided we needed something from the “ordinary” end of Euro sports cars:

OPEL SPEEDSTER

This mid-engine two-seater was built from 2001-2005 by Lotus for Opel of Germany, but there is also a Vauxhall-badged VX220 in Britain. Built on the Lotus Elise platform, the Opel uses a General Motors Ecotec Z22SE 2.2 litre engine (making it more powerful, at the time, than the Lotus Elise, itself),  and later a turbocharged 2L Ecotec punching out 200hp for a 2050 pound car (the chassis is glass-reinforced plastic.) It hits 60mph from a dead stop in 4.5 seconds with a top speed of 150mph.

Speedster_Turbo_1

PM: +1   RED: 4   CRUS: 75   MAX: 150   RNG: 200   FCE: 2   STR: 4   COST: $40,000

GM Information: The Speedster gains a +1EF to Pursue/Flee tests.

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