Life Unconstructed


Just your average evening — I’m working on the laptop, wife’s on the desktop doing her thing.  I suddenly get asked if I’m online.  I am.  She’s not.  So she cycles the router.  Now neither of us is able to get internet access, but we can get the router and see each other.  Call Comcast and have them reset the router after I’ve cycled it a few times.  No joy.  I dig out the old Dell laptop, because the MacBook Air doesn’t have an ethernet cable connection (first real complaint about it!)  Modem’s working fine, cable’s fine.

So, new router needed — not bad since the old one was seven year old (a Linksys.)  Unfortunately, it’s 10pm and all the electronics stores are closed…but there is an all-night Walmart a mile or so from here.  A quick zip out and their electronics department even has a couple of guys working the place.  I settle on a Cisco E2000 router that will handle B, G, and N and has the 5GHz option.

So now I’m ready for trouble…this is going too well.  Get home and after wrestling with the usual collection of power cables, it’s ready.  CD into the Dell, since it’s up and running, and two minutes later the laptop’s online and the router is named and passworded to match the old router so we don’t have to muck with our settings.  The printer is a bit finicky but finally comes online.  The Mac finds it and runs, no problems.  The iPad finds it and runs, no problem.  The hot-shit desktop gives me a few hiccups — mostly due to the wireless key not picking up the signal so well.  Quick shift of the router’s position and it’s solved.  Time from start to finish:  1 hour.

Thank goodness for the all-night Walmart.

I went on an iTunes binge this week, downloading a bunch of the Bare Naked Ladies albums, including their All in Good Time — the first without Steven Page on vocals.  I also bought Steven Page’s solo effort Page One.

So, first Page One:  like one would expect, Page’s album is a bit eclectic, but feels much more like the old BNL than All in Good Time.  A few of the tracks, like the swing-inspired “Leave Her Alone” and the very pop-oriented “Queen of America” really stand out for being different in flavor from the first half of the album — which feels lot like Gordon. Overall, it’s a solid record, with about half of the tracks really standing out, and the rest good, if not as catchy.  If you like old BNL, you’ll like it.  Recommendation: buy it.

All in Good Time is the latest Bare Naked Ladies record.  The feel is much more like the 21st Century efforts of the band — there’s a variety to the feel of the tracks, but they have the more stylized quirky flavor of Stunt and Maroon, but with less of the angsty lyrics of those albums.  There’s a couple very strong tracks — “You Run Away” and “Every Subway Car” are aimed squarely at pop radio, but I think the catchiest tune is probably “Another Heartbreak” (which was a particular standout song when I saw the band in concert a few months back.)  I found I really missed Page on the record, in a way I didn’t at the concert; the sound of the band is sharply different with Ed Robertson and Kevin Hearn taking the leads on vocals.  (Hearn sounds much much better on stage — there’s a sweetness to his voice that gets lost in the production mill.)  It’s a good album and worth the $10 on iTunes.

Hogmannay (New Year’s Eve) was a bit of a wash out this year — all the friends bowed out for illness, weather, or what have you.  Instead, the wife and I hit the movies and saw Black Swan, Darren Aronofsky’s new psychological thriller set in the  world o fNew York ballet.  Ballet…not exactly an interest of mine (or most with a Y chromosome.)

Ready…it’s good.  The story mirrors that of Swan Lake the ballet that the troupe in the movie is to be doing.  Timid and uptight Nina (Natalie Portman) gets tapped to lead as the Swan Queen, despite her inability to open up emotionally — an essential element for dancing the Black Swan, we are told by Vincent Cassel’s director in the movie.

Portman is fantastic in this!  She was — to my mind — always a solid actress, but she’s riveting in this part.  She goes from the pent-up, child-like perfectionist who is — we are told — a superb technician as a dancer; her form and abilities are top-notch, but she is unable to inject passion into her performances.  Her character slowly starts to break these boundaries, seeking that perfect performance…and it causes her to become increasingly unhinged — she starts hallucinating and becomes increasingly violent and sexual.  (Because, these always go together in film…)

Cassel is excellent as the smarmy (but ultimately right concerning her failings and strengths) director.  Mila Kunis is good as the bad-girl that gets Nina to open up, but is also gunning for her job (another parallel to the opera.)  Barabara Hersey knocks it out of the park as the creepy, controlling, coddling mother who let her chances of ballet fame go to have Nina, and now is living vicariously through her daughter.

I was honestly surprised by this flick.  It’s taut and moves along well, but still feels longer than the 110 minute run time.  This isn’t a bad thing — the tension and atmosphere of the movie propel it along, and the voyeuristic quality of the story and the cinematography are compelling. But ultimately, it’s Portman that is the engine for this movie.

Go see it.

 

There’s a place here in Albuquerque (Nob Hill Bar & Grill) that makes a fantastic drink called the “Ginger Maker” that I attempted to emulate:

1 part Maker’s Mark bourbon (I used Knob Creek…so let’s call it a Ginger Knob.  It sounds…dirty…), 3 parts ginger beer, not ginger ale.  Freshly grated ginger and lemon zest to taste (or you can drop three drops of lemon juice, if you don’t want to assault a lemon for its skin.)

Shave ginger and lemon zest into the glass, add crushed ice.  Add bourbon, then ginger beer to taste.

 

Scott and Susan Rhymer…

 

First off:  I was bored.  Second…I have Netflix, so it’s not like pay specifically for the movie.  Third:  aw, who am I kidding?  I was dumb enough to drop this into my queue and watch it, even having an inkling of what it was about…

Human Centipede is a movie only a German could make. (Actually, I think the director’s Dutch, but I can’t be bothered to learn anything more after the experience)  Two idiotic American girls are wandering the German countryside on a road trip and are off to find a swanky nightclub.  They wind up in the middle of a German forest (which I thought were pretty much destroyed, so let’s assume that these characters walked in circles in a copse of trees in a suburban neighborhood…) in the rain, after their Volkswagen’s tire pops.

Do they change the tire?  Nope.  Do they even attempt it?  Nope.  Mostly they spit vapid “I’m scared but we can’t just sit in our car” lines. They have another driver stop to “help” them, which is mostly some old, fat guy leering and making suggestions as to what they can do together.  So, yeah, I guess they “have” to go look for help.  Do they stay on the road?  Nope.

So they find the massive house of retired surgeon Dr. Haiter — who for years was the preeminent surgeon for detaching Siamese twins.  Now he wants to rectify that by sewing people together into a Siamese triplet.  The girls come looking for a phone and despite the immediate “hey, this guy is halfway to the moon crazy” vibes they get, they go into his house, accept water (roofied) then wind up strapped to gurneys in his torture chamber cum laboratory under the house.

There is a botched escape attempt by one of the characters, a girl of such mind-deading stupidity I actually was shouting insults at the screen.  She gets out of the lab and winds up locked in a bedroom the madman can’t get into.  What does she do? Hide behind the bed and cry.  Does she knock out the window and run screaming her head off into the neighborhood?  Nope.  does she grab the nearest blunt object and whack said rampaging retiree?  Nope.  She waits until he’s gone away to open the window blinds.  Surprise!  Dr. Nutbag’s here!

This leads to her running away, falling into his pool, only to be rescued when the power goes out from the coming rainstorm.  Does he just wait in the dark for her?  Nope.  He actually goes to turn the power on.  So does she run through the window he broke open and get help?  Nope.  She goes back for her friend, drags her through the house (LOUDLY!  ’cause stealth when being hunted..?  Not needed.) and out into the yard, where she gets shot with a tranq dart.

At this point, I’m starting to get into the very misogynistic vibe of the movie, if only because this broad is so implausible stupid that women everywhere, when meeting director Tom Six, should haul off and kick him in the jimmies on general principle.

Long and short of it:  they get their knee ligamants cut soe they have to be on all fours, and sewn — as only the Teutonic crazy would think to do — ass to mouth making a human centipede.  The crazed doctor tried to train them, there’s some contest of wills between the Japanese guy that is the head of this gruesome creation and Haiter; the girls mostly whimper and look sad over the buttocks of the person in front of them. This leads to the inevitable scene where the Japanese guy has to defecate.  You get the picture.

Finally the police arrive, responding at least a week or so after the girls have gone missing and a report of an American girl screaming on the property have been reported.  They send to longhaired, not-overly-bright detectives to the property.  After a bit of “what have you got in the basement, you crazy bastard” “I don’t have to tell you without a warrant” nonsense, Haiter tried to roofie the cops.  Do they pick up on this?  Nope.  Do they buy his line about the syringe of sedative he was planning on using on the cops?  Mostly.  Does one drink the water for the obviously deranged surgeon living in the woods and on whom a report of a screaming girl was filed.  Yup!

They leave for a warrant, in which time the centipede makes its move to escape and in the ensuing fight with Haiter the Japanese “head” stabs Haiter in the leg, bites him, yaddayadda.  The centipede stages its escape attempt with the idiot girl from the last escape attempt miming direction to get out.  This can’t possibly go wrong.  There’s a showdown between Haiter, who can’t stand, and Japanese dude — who until now has showed spunk and incredible presence of mind.  So what does he do?  After a moving soliloquy in Japanese, he slits his own throat to regain his humanity.  (Hey…how ’bout killing the doctor and finding a phone?  Then surgeons could cut you lose from the other two and you would only have a horrible scar on your ass and mental trauma for a lifetime.  That would work, too.)

The cops show up with a warrant a Walther P5s held like the actors haven’t seen an action movie since the 1970s.  (Hey, Rambo, that slide’s going to cut your off-hand thumb to shreds.)  Roofied cop goes down just as he finds the doctor.  Now he has a machinegun, ho ho ho…wrong movie.  Final firefight sequence — dumbass longhair cop one finds dead dumbass cop two.  Does he attentively look for the threat?  Nope.  Does he get gut shot?  Yup.  But not before he blows a tunnel in the doctor’s head.

Annoying can’t escape for toffee chick is thus left stuck sewn in the middle ofthe bodies of the Japanese dude and her dead friend.  The end.  (Possibly the only redeeming feature of this cow-pat of a movie — no happy ending.)

Style: none.  Substance: none.  Don’t bother.  Even for free.

…it looks like I’m to be a father in late spring.  It’s a girl and so far, she’s healthy.  Calling her Sophia, since the girlfriend ruled out Athena.

This should prove interesting.

 

I’ve heard of this movie a few times int eh past, but finally happened to read about it as i was thinking about ordering up Eastern Promises, which I’ve yet to see.  It’s a 1967 film by French directorJean-Pierre Melville, and it’s arguably the inspiration for most of the assassin-on-the run movies of the past 40 years.  You can see elements of teh storyline in movies such as the Bourne series and The American, as well as Ronin and Collateral.

It follows a 48 hour period in which Jef Costello, a dapper, laconic, and very capable hit man commits a murder of a club owner (and we can assume crime figure), only to be spotted by the lounge piano player and a few other patrons.  He is arrested in a sweep of the usual suspects and the police superintendent homes in on his right away, despite a well-planned alibi and the pianist refusing to identify him.

Released, his employers — worried about his arrest and the police interest — try to kill him.  Costello spends the rest of the movie trying to lose the police tails he has, and stay alive long enough to find his double-crossing employer.

There’s tropes from this movie that get tapped for crime movies that followed it:  the beautifully-dressed, handsome assassin that is a hollowed out shell until he meets that one girl (the pianist, in this case); there’s the double-cross by his employers, the cat and mouse games with police and other assassins.  In the Paris of this movie rains almost as much as Ridley Scott’s future Los Angeles.  (Costello and Deckard have a very similar feel to their characters.)  And there’s the last hit gone bad due to his change of heart about the job.

The movie is a bit slow moving and modern action fans might find it drags, but it’s worth a look.

 

Well, after 20 years of having a credit card, I’ve finally had my first experience in identity theft.  Some nimrod got a hold of my credit card number and tried to buy some software (a game app) online.  fortunately, USAA caught it immediately, shut the transaction down and alerted me, and now I’ve got no credit card until Wednesday.

This is the capper to an incredibly annoying morning in which I didn’t sleep particularly well, had issues with my iPad synching that led to a visit to the Apple Store (I wasn’t paying $30 to get help), only to have the device — in automotive style — synch up and work just fine.  I got rained on coming home on the motorcycle, then tried the synch at home.  It worked fine, until the 4.2 update crashed at the last second.  I can get it to synch, but there’s issues now with iTunes losing the connection to my iPad again.  The garbagemen had nicely scattered crap all over my driveway.  My cell phone dies in the middle of a call to set up the appointment to fix stuff broken by the movers.  Then the call about the credit card.

Apparently, it’s been too quiet a fortnight for me.

 

I woke up this morning with this sequence on my mind.  After 30+ years, this is still one of the best reveals from a movie ever.  And, to my mind, still the best looking version of the Big E to grace the silver and small screens…

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