A little something from the Pixar gang:
Life Unconstructed
15 October, 2016
9 October, 2016
Quick Review — Batman v Superman
Posted by blackcampbell under Movies | Tags: batman vs. superman |Leave a Comment
So after having studiously avoided it, I finally watched Batman v Superman: The Dawn of Justice, since it was only $4 on iTunes.
The initial impression: Zach Snyder and Chris Nolan need to be booted from the production of these movies. Second impression: it wasn’t as bad as I expected. Granted, cockroaches and our current presidential frontrunners are about the only things I have lower expectations from, so that wasn’t hard.
Let’s start with the good:
Affleck. Seriously, he’s a good Bruce Wayne, which is essentially to being a good Batman. He’s working his ass off in the role, and it’s probably one of his better acting gigs. Which brings us to Batman — they let him do detective stuff. They show him exercising like crazy to keep in shape. They point out his incredible luck at still being alive. They also give him some solid fight scenes that look like the comics — he uses his environment, his gadgets, and his wits.
This was a great Batman flick. It’s a shitty Superman flick — more in a moment.
Alfred. Jeremy Irons does a great job, and they make Alfred a partner in crime to Batman, not just a sage advisor.
Wonder Woman. She’s the best part of the film. Gal Gadot has her looking like she’s enjoying the hell out of the fight scenes. She feels like a Amazon come to play rough.
The bad: The dream sequences Batman is having. They’re distracting, and for many viewers, I suspect they were confusing. They detracted heavily from the story.
Speaking of — the entire gods among us motif got old about halfway through the first time they brought it up. While the political class of the world would undoubtedly want to find a way to shackle a creature like Superman, I found the incident to question his motives shoddy and forced.
The writers, Snyder, Nolan — they don’t get Superman. They’re looking to do high art, and they’re so busy trying to be deep and subtextual that they miss the chance to shake up the feel of the movie by having Batman’s pessimism and doubts be countered by the optimism and faith in people that Superman embodies in every rendering except the Zach-verse. He’s not dark. He can have a bad day, doubt himself, but in the end he’s that kid from Kansas who thinks you can and should do good.
Which brings us to the worst of the film — Lex Luthor. The kid from Zombieland just doesn’t cut it, but it’s not his fault. The writers were looking for somethig edgy and differennt, and instead we got the same kind of riff that Sherlock gave us with their shitty version of Moriarty. Smart, sure. Nuts, yup. But engaging and cool, or frightening, or funny…nope.
In short, all the Superman stuff sucks in the movie, from the big man himself to his villain, to this Lois Lane. The Batman stuff was good, and Wonder Woman steals the show.
So is it worth it? On my scale of “I wouldn’t borrow it from the friend” to “See it full price multiple times”, I place it on a rent, maybe a matinee.
5 October, 2016
I finally finished my Luke Cage binge last night, so let the reviewing begin!
I’ve been bouncing back and forth on whether this is the best of the Marvel shows on Netflix, but by the end of the season, I’d have to go with “yes.” Here’s why:
Harlem. They take a real place and they make it the focus of the show. Daredevil tried this in the first season, as well. Hell’s Kitchen, however, is a weird mix of 1980s crack-period Hell’s Kitchen, and the gentrified version of today. This is necessary for the show to keep the Miller/Mazzuccheli flavor they were going for. Luke Cage‘s Harlem is much closer to the real thing, and the importance of the place to black history, culture, and identity is front and center throughout the show.
Blackness. Connected to that, and a defining subtext of the show is blackness. Cottonmouth Stokes, the crime boss who could have been something else; Mariah Dillard, the all-too-realistic politician; Misty Knight, the honest cop who knows everyone in the neighborhood; and Luke Cage, the stoic, hard-working everyman…who just happens to be damned near indestructible all are aspects of the black community, and their conflict mirrors the conflicts of the black professional, the gangster culture, and the middle-class. The music, the location, and the casting all make this a sharply different view of America than Daredevil and Jessica Jones.
The women. There are a lot of important female characters in the show — Mariah Dillard (Alfrie Woodard), Misty Knight (played superbly by Simone Missick), Inspector Pricilla Ridley (Karen Pittman stuck in a stereotypical annoying commanding officer role), and Claire Temple (Rosario Dawson, stealing scenes again..) — the women in the show are integral parts of the drama and plot. They’re not weak. They’re not victims. And none of the important players are young. They’re mature women. It’s refreshing.
Mike Colter. Sweet Christmas this guy’s got charisma. He was the best part of Jessica Jones (my opinion) and he does good work here. There are a lot of great performances in the show, Mahershala Ali’s Stokes is especially good, but COlter manages to hold the spotlight whenever he’s onscreen.
The surprises. (Yeah, spoilers. Shut up.) The decision to take Cottonmouth off the board halfway through the show was an excellent move, and made the show seem less contrived. That said, exchanging Ali for Erik LaRay Harvey’s Diamondback took away an excellent, and somewhat sympathetic villain for a less interesting creature. Diamondback, despite their best efforts, never feels like anything more than the crazed murdering baddie. That’s not Harvey’s fault; the writing on his is a bit lazy, and that’s probably the worst aspect of the show.
Mariah Dillard’s rise to crime boss is the exact opposite. She’s a compelling and realistic character, not entirely competent or comfortable in her new role, but Woodard’s steady move from pawn to queen is well executed by both writers and actress. Did I mention the women in this show knock it out of the park? They do.
A side mention for one of the better supporting cast has to go to Frank Whaley. Who? you ask. You’ve seen him in just about every damned TV show in the last ten years, and a few movies. He plays Scarfe. (Oh, that guy!) His performance is subtle and nuanced. He feels like a 20 year vet of the NYPD who does his job, and just that; he knows his job barely matters and it makes his corruption seem natural.
Lastly…Method Man. I’m not a hip-hop or rap fan. I barely know who the guy is. He steals all the scenes he’s in. There’s a great moment between he and Cage where the superhero geeks out at meeting the musician. It’s one of the best moments in the entire show and feels right.
The bad — ’cause there always is some bad.
Diamondback. The character is a leering psycho whose character development shows him to be a whinging teen with daddy issues. It’s unoriginal and uninteresting. The Bible-quotes and half-assed philosophizing never rises to the levels that Cottonmouth and Mariah have.
While the final fight between he and Cage is beautifully done, it’s really only good to show Cage to be no martial arts master, no skilled bad-ass, but a dude that simply is very strong and impervious to most damage…why would he need to be a fighter? (Throughout the show, the guy doesn’t fight, so much as sort of push and slap his way through the mooks.)
The first episode. It’s a slow episode, mostly for the work it’s doing setting up Harlem as a character, as much as introducing the leads. Wade through it.
So is it worth it? Hell, yes. Go quit your job and stream this thing, right now.
27 September, 2016
An old space probe returns to Earth to find a lone survivor…
26 September, 2016
Here’s a nice sci-fi short. The lead does a great job.
24 September, 2016
Here’s a nice take on the Seven Dwarves…